Beatrice Cenci: (1969) Very rare, letterboxed, English language print of this excellent period piece, one of Fulci's favorites of his own work. Before her execution Beatrice Cenci tells a story of her abusive father, who held an entire town in his iron grip holding orgies and killing those who displease him, and his violent death. Very well made with a heavy, graphic "inquisition" subplot. Fair quality. [B]
	The Devil's Honey: (1986) Uncut, widescreen print of Lucio Fulci's wicked riff on 9½ Weeks, about a doctor (Brett Halsey) who gets turned on by menstruation and prostitutes and is kidnapped and sexually abused by a woman who's boyfriend died under his knife. Loaded with soft-core, sadistic sex and full-frontal nudity, this one ain't for the prudish. Yep, it's got the full sax/sex scene that every one talks about, too. In English with Dutch subtitles. [B, 18+]
	Door into Silence: (1991) Lucio Fulci's interesting, Twilight Zoneish take-off on Duel with a guy constantly being harried by a hearse while trying to drive home. The hearse is carrying a coffin that he comes to believe contains his corpse. No gore (gotta be honest here), but is still a good flick from Fulci. In fair quality.
	The Eroticist: (1972) Widescreen Fulci sex-comedy about a politician who is being set-up to win the presidency of Italy by the pope. The only problem is that he has a penchant for pinching the asses of any female on hand. Silly, nudity laden fluff that probably lost tons of political and religious jokes in the translation. In fair to poor quality. [B]
	The Ghosts of Sodom: (1988) A.k.a. Sodoma’s Ghost. Now available in a very rare uncensored, English language print! When a group of kids decide to spend the night in an old Nazi mansion where many a drunken orgy took place, they get more than they bargained for when the spirits of the dead return to haunt them. Lots of full frontal nudity, some minor FX and our favorite: Al Cliver in a brief bit as the head Kraut scumbag. Fair quality. [B]
	Massacre Time: (1966) A.k.a. Django the Runner. Widescreen print of this cool Lucio Fulci western starring with Franco Nero! When Nero's brother is killed by a rich asshole who's idea of fun is organizing a fox hunt with a human fox, it's time for revenge. Lots of style, nice camera work, photography, charisma, a rousing score and umm, some pretty lame dubbing (can't have everything, I guess). [B]
	Murderock, Dancing Death: (1984) Uncut, widescreen print of Lucio Fulci's giallo homage to and blending of the Three Mothers Trilogy and Flashdance with plenty of T&A. Someone is murdering aspiring perspiring dancers by stabbing a bigass hatpin through their hearts (after tearing their tops off to expose their breasts, of course). It’s up to the local cops to figure it out before headmistress Olga Carlotos is the next victim. Also stars Ray Lovelock. Cheesy, ultra-pop music by Keith Emerson, believe it or not. In English with Chinese subtitles. [B, 18+]
	The Murder Secret: (1989) Lucio Fulci "supervised" the production and direction of this thriller about a family secret that culminates in gory murder. A mysterious aunt Martha invites her nephew and his family to visit her after a 30 year absence. The family finds the house with no aunt Martha and a menacing caretaker, and a killer stalking them one by one. Lots of gore and nudity (some of which was cribbed for use in Fulci's A Cat in the Brain), including a wicked chainsaw decapitation of an 8 year old boy and an off-the-wall twist ending. In English with Japanese subtitles. [18+]
	Murder to the Tune of the Seven Black Notes: (1977) A.k.a. The Psychic. Rare, uncut, letterboxed print of Lucio Fulci's first landmark genre film about a woman who has had psychic visions since childhood (she saw her mother throw herself off a cliff - the gore highlight). Shades of Deep Red, with psychics, walled up corpses, prowling camera work and another fine score from Fabio Frizzi, too. Damn fine film that is more than a little underrated these days. In English with Japanese subtitles, in fair to poor quality. [B]
	One on Top of the Other: (1969) A.k.a. Perversion Story. Artsy Lucio Fulci "erotic" murder-mystery about a doctor who thinks that his wife died leaving him a $2 million insurance policy, until he meets a stripper/prostitute who is the spitting image of his wife, and the plot thickens with plenty of twists. Great camera shots, use of split-screen effects (during an autopsy, no less) and color and lighting. Set in the psychedelic San Francisco of '69, this is one of Fulci's best non-horror films. Letterboxed, uncut in fair quality.
	Red Monks: (1988) Lucio Fulci lent his name to the production of this strange and often surreal Italian thriller about a newlywed who owes a debt to a secret society of Satanic monks who are descendants of the Templar Knights, and require the blood of virgins and to collect his wife as payment and to kill everyone in their path. An unusual film that is nothing like a Fulci flick, but if you're in the mood for something different is actually pretty damn entertaining. Has enough bare skin and good camera-work to keep your interest, if nothing else. In English with Dutch subtitles. [B]
	Voices From Beyond: (1994) A.k.a. Voices from the Deep. Uncut, widescreen print of Fulci's last film. A sadistic, cold business man is murdered and he contacts his daughter from beyond the grave and gets her to find out who killed him and how. Some gory bits and a super-cool zombie attack dream sequence makes this one better than you'd expect. [B]